Notes and Findings: Sunday, August 23, 2026

We’re worn out from the summer adventures.

After the music camps, we had lots of heartwarming moments visiting family (not least, all the nieces and nephews LOVE Mary…). And it’s fun to see our guys with their cousins, deep into some creative project—or just goofing around.

Got a great family hike in above Idaho Springs (and then of course landed at Beau Jo’s and The Frothy Cup). I had some fun playing with Locus Map for iOS; it’s still early—and, from what I can tell, active—development, but already, for no-nonsense topo mapping … I’m a fan.

Kids are a BIG fan of the blacksmith at the Littleton museum.

A little farther out … the Great Sand Dunes are still otherworldly… and there are (rescue) alligators in the hot springs?

Moonlight Pizza is now required any time we’re near Salida.

Back on the east coast, we finally got to the Cloisters with the boys! They were into it—all across the age range. Guess I shouldn’t have been surprised … for example, one of our high schoolers practically dragged us to the DC Pen Show … crowds and fountain pens and notebooks and ink … all amazing. I learned SO MUCH.

We’re now back to work and back to school and comparing notes with friends on the coffee beans we picked up along the way… Shortwave goes on the list (with Fretboard) of amazing places in Columbia, MO, and Lost is so so good close to home in CO.

I’m pondering (ranting to the boys) about the idea that humans with stories (that’s all of us) have a responsibility to tell them. Responsibly.

Then … I feel lucky to be out and about for work, even though that means a little more driving. One moment I didn’t photograph (b/c … driving): coming home across the Bay Bridge, the late-day sun punched rays through the clouds and around the ships in the distance. Then I was up to the Baltimore Museum of Industry (I’ve decided that I understand some but not all of Baltimore’s charm …)

Inspired partly by the pen show, I’m trying to clarify my hybrid paper/digital notes system. The idea is that paper is my key daily work surface, with the computer mainly for collecting and collating reference info.

I’ve signed up for the Foto app … we’re all weary of more social media apps, but there’s some beautiful photography there, and the simple feed really does feel refreshing.

Reading: spent more time than I’m strictly proud of sneaking off to read Murderbot … but it’s a super fun series. (You gotta hear Elvis Mitchell talking to the Weitz brothers about the TV production, if you haven’t already.) … Atmosphere was amazing, as I guess everyone else already knew … finished it in tears. And I got a big stack of Sound on Sound magazines from Dad, so that’s pretty cool.

Soundtrack: our oldest kid DJ’d most of our driving with lots of old-school R&B (so we must be doing something right? or he’s just figuring it out in spite of us… ) … here’s a little Billy Preston … Mary and I have been studying the Debussy quartet, as well as Mozart 589. Beautiful stuff.

Quick edits:

Notes and Findings: Wednesday, April 3, 2024

The main story this week is … resting and recovering from Holy Week, which passed in an intense blur of good music (and a lot of driving). I’ve collected some repertoire highlights here in a Spotify playlist; it’s nice to listen back and reflect now that we have some time. Beautiful stuff.

Notes and Findings: Monday, February 26, 2024

Working on this past week:

  • Practicing: still swamped with upcoming concert music, noodling a little with the Bach 6
  • Listening: I’ve been on an algorithmically-assisted hunt for new-to-me baroque music, or new-to-me recordings of old favorites, seeded by some old-to-me recordings of old favorites
  • Writing/recording: zeroed in this week on building structure for an old mockup I did of a sort of hybrid rhythmic cello ensemble thing. Fun to develop it further.

On a long kick of reading/watching stories about stories. I think it started last year when I watched White Noise and The Fabelmans back to back. (That was a weird pairing, to be honest.) Recently caught up to The Starless Sea. (Loved it.) And…can I claim Only Murders season 3? (No, maybe not. Funny stuff, though…)

Speaking of long quests, I’m on a glacially slow hunt for the perfect A string for my cello. Larsens are fine but die a shrieking death after 6mos. Versum Solo only lasted 3mos and was a little too bright for me (though people said nice things about my tone, maybe I should sell a kidney and revisit…). Rondo didn’t work for my instrument (though I love that D string). Kaplan was like 97% what I want for tone and playability and lasted a year. Trying a Pirastro next. I’ll report back in like 100 years.

Revisiting Imogen Cunningham. And…from Mark Anthony Fox, is this not the most perfect photograph ever made of a cup of coffee? (Swipe to the 3rd photo–though the portrait is also amazing.)

There’s a pair of doves nesting on our kitchen window sill, so we’re trying not to scare them off (though they don’t seem all that bothered by us).

Notes and Findings: Monday, February 5, 2024

Working on this past week:

  • Practicing: upcoming concert music…upcoming concert music…bit more about that below…
  • Listening: I’m obsessed with this harp arrangement of Britten’s setting of the Corpus Christi Carol. It’s a weird carol! Gorgeous, gorgeous setting by Britten. Part of a sort of melancholy winter playlist I’ve been collecting lately, with some lovely chamber music and a few new discoveries.
  • Writing/recording: I’ve been on a mission to try to build some systems around my writing and arranging work. There are lots and lots of songs I’ve either chipped away at or worked out for a live gig, but that haven’t seen any final recording or publishing. It’s the kind of work I tend to think of as boring, but it’s fun to revisit some of this old work, and exciting to see a path to getting it out the door. More on that to come.

Since December, my practicing has been swampted by upcoming concert music–and even now there’s a ton of fun music coming up (Brahms piano quartet! several contemporary Latin American composers, Mendelssohn Hensel and Haydn and Dvořák quartets, two musicals, a bunch of orchestra stuff…love it!) But I need to find a new set of music that’s just for me; making practice time for myself feeds a lot of good things in my playing, even when it feels pushed aside by work urgencies.

Last year, I read Agnes Broomé’s translation of Collected Works, by Lydia Sandgren, and I still keep thinking about it. Brilliant, rich book.

There are some connections between all these things in thinking about art as artifact vs. art as experience–and what that means to me as a musician vs. as an audience member (or as a photographer). On the prowl for more good writing there.

Notes and Findings: Monday, November 6, 2023

Working on this past week:

  • Practicing: upcoming concert music, some teaching material, Bach 6 Allemande (full movement)
  • Listening: Wispelwey’s Vivaldi Sonatas is, like, a perfect record. Back in heavy rotation around here–as it often is–over these past few weeks.
  • Writing/recording: the cello quartet has morphed for now into a fast jazz song for piano trio + strings acting like a horn section…

(…and I really enjoyed this episode of The Treatment, with Branford Marsalis talking about how George Wolfe didn’t want any strings on Rustin..)

I’m finally trying Cubasis, and I’m really enjoying it! Smart use of the touchscreen…and it feels easy to shuffle ideas back and forth between my notebook and Cubasis and the DAW or notation software on my laptop. Good stuff on the go.

Interesting (for all of us bookworms and parents of bookworms): https://www.wired.com/story/taiwan-epicenter-of-world-myopia-epidemic/

Victor Wooten playing Amazing Grace is unparalleled (and so much fun to watch). Revisited it this week to show our kids: https://www.youtube.com/watch?v=zjkFJkbm3vA

Love this: https://www.themarginalian.org/2015/03/02/john-steinbeck-working-days/

Small tech note: I was having trouble with voicemails coming through slowly on my iPhone with Cricket, but going to deleted messages and clearing all permanently seems to have solved it.

Like it (for archiving media backups): https://fastglacier.com/

Important: Tim Harford on “The art of making good misstakes” (sic, haha)

Still trying to figure out which screenings we can catch in between gigs this year, but we’re excited for the Alexandria Film Festival‘s return!

Notes and Findings: Monday, October 9, 2023

Working on this past week:

  • Practicing: upcoming concert music, Bach 6 Allemande (2nd half), some vln/vla/vlc trios with friends (these Mozart K.404a transcriptions of Bach are super cool for how they use the string trio)
  • Listening: Musica Antiqua Latina’s “Corelli Bolognese – Trio Sonatas by Corelli and his Successors” has been in heavy rotation in our house (again) this week. Amazing album. https://open.spotify.com/album/3t0DJaxOK0utOV9TpScYxk
  • Writing/recording: sketching out a cello quartet

I’ve kicked off an adventure with a used Canon Pixma Pro-10. AMAZING printer. Came with a clogged head that I expected to replace, but I was able to get it unclogged (burning a tremendous amount of ink with the built-in nozzle cleaning process). So…yet more ink and it’s in action! The prints are truly gorgeous — lovely detail and tone and color, rich blacks. Properly archival pigment inks. The danger with pigment inks is that the head reclogs if I don’t use it often enough. Meaning…daily prints! I’m using Moab paper for final prints, but I’ve now ordered a bunch of (much cheaper) Inkpress 4×6 for proofing and snapshots. Lovely stuff.

We had rather a nice evening playing string quartets by the fire at Barboursville Vineyards.

This Vahdam Darjeeling First Flush is DELICIOUS (now that I’ve got my head around brewing it; keeping the temperature at or below 200° F makes a massive difference to the flavor).

Got back into the Gramophone Podcast this week, incl. their episode on Dvořák piano trios. Phenomenal recording.

Interesting: https://petapixel.com/2023/10/06/a-20mp-sensor-in-a-film-canister-reinvigorates-vintage-analog-cameras/

Horrified, as we all are, by the news of attacks on Israel.

Notes and Findings: Monday, October 2, 2023

Working on this past week:

  • Practicing: upcoming concert music; Bach 6 Allemande (1st half) (using the lovely Henle / Reiner Ginzel edition)
  • Listening: Spotify “Blues & Roots Rock” playlist: https://spotify.link/QrAd06zMzDb (I first got there via the Amythyst Kiah Artist page: https://spotify.link/NNVbkUIMzDb)
  • Writing/recording: recording session prep for a jazz piano trio (Summer Nights…)

So important: https://www.aljazeera.com/opinions/2023/9/22/jann-wenner-pay-attention-to-the-man-behind-the-curtain

Got an awesome little teapot from Daiso and a bunch of new loose-leaf green, black, and oolong. (Found this helpful: https://artofeating.com/brewing-darjeeling-tea/)

Profound: https://www.themarginalian.org/2020/05/17/yes-to-life-in-spite-of-everything-viktor-frankl/

Want it (ASMAC just ran a fabulous program on this with Joe Johnston and Chris Siddall and a bunch of other stars): https://www.chrissiddallmusic.com/store/p105/The_Rocketeer_In_Full_Score.html

This seems nuts: https://www.bbc.com/travel/article/20220810-derinkuyu-turkeys-underground-city-of-20000-people

Coming Soon: Nectar (Lo-fi single), by Light of Departure

Update: it’s out! Hit http://lightofdeparture.com/2022/02/18/nectar/ for streaming links.

Here’s a quick lo-fi track—just slicing and layering some (great) samples from Splice, but I think it adds up to something beautiful, right?

Projects

Here’s what I’m working on now:

Mainly, I earn my living as a cellist, performing and teaching. timthulsoncello.com

I also work as a composer and arranger:

I spent a lot of time growing up in my dad’s and his dad’s darkrooms, and I still work as a photographer. timthulsonphoto.com

Sometimes I write software. Mostly kinda old-school web apps to streamline my own work. Github links to come.

I’m hanging out on Instagram, Threads, and Mastodon.

And this, in the interest of transparency, is very important: coffeeonpants.info

Work in Progress: Octane

Here’s a short rock and roll cue that I still need to master. Reaper and Splice, Surge for the synth bass. Some extra drums programmed via Klevgrand Slammer (lots of fun).

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